In 2014, Michael Brown was murdered by police officer, Darren Wilson, in Ferguson Missouri. Protests and push back spread across America and gave rise to Black Lives Matter movement.
Among the protesters in Ferguson, Missouri was an artist, multi-disciplinarian, Damon Davis. His images of hands, wheat pasted on boarded-up buildings were a sign of solidarity and a simple message that the businesses (forced by insurance companies to “board up or lose coverage”) were open and supported by the community.
In 2015, I found Damon and, after some discussion, we decided we should print the hands – they were historic and I thought should be preserved and (without a better description) put into a fine art permanence. The prints were made for the street. The powerful message transforms “Hands Up Don’t Shoot” into a longer conversation toward a better future, one that can be built only when everyone has a hand in it, Damon’s brilliant and generous vision. The world of fine art, for better or worse, is not often confronted by social justice.
All Hands on Deck, seven images of people in a moment of time, morphs the necessary urgency and the anger of “Hands Up Don’t Shoot” into a longer conversation, one that retains the edge, but points to the hopeful belief that it will take all of us to resolve this. And I believe that All Hands on Deck – in all its manifestations – takes its place in the powerful, egalitarian history of print, embracing the very essence and function of print. Tell the story. Tell it fast. Repeat.
Maryanne Ellison Simmons (Wildwood Press)
July 2015
