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Argi IV

Etching and aquatint, hand signed by the artist.

Argi V

Etching and aquatint, hand signed by the author.

Alphabet Et Serpent

Alphabet Et Serpent, 1968 by Alexander Calder is a captivating limited edition lithograph. With dimensions of 53.3 x 76.2 cm, this artwork captures Calder’s iconic playful style. The title, “Alphabet Et Serpent,” hints at a combination of elements that might evoke a sense of whimsy and exploration. Through lithography, Calder’s distinctive forms and lines come … Continued

Trois Oignons

Lithograph in colors on Rives paper – Published by Maeght, Paris. — Trois Oignons, 1965 by Alexander Calder is a limited edition lithograph. With dimensions of 55.9 x 76.2 cm, this artwork captures Calder’s unique artistic perspective. The title, “Trois Oignons,” French for “Three Onions,” suggests a simple yet intriguing subject. Through lithography, Calder’s distinctive … Continued

Les Vagues #21 (The Waves)

Lithograph in colors, on Arches paper, the full sheet – published by Maeght, Paris — Les Vagues #21 (The Waves), 1971 by Alexander Calder is a limited edition lithograph that showcases Calder’s mastery in capturing movement and energy. With dimensions of 76.2 x 111.8 cm, this artwork immerses viewers in a dynamic visual experience. The … Continued

Le Lettres

Published by the gallery Maeght in 1969 — Le Lettres, 1969 by Alexander Calder is a limited edition lithograph that exemplifies Calder’s distinctive artistic style. Measuring 76.2 x 111.8 cm in size, this artwork showcases his mastery of form and composition. The title, which translates to “The Letters,” suggests that the piece might involve Calder’s … Continued

Grey Oval (Flat Mobile)

Signed and numbered 96/100 in pencil, with occasional soft handling creases (mainly visible in raking light), occasional minor surface soiling at the sheet edges, stray ink at the lower right and upper left sheet edge, otherwise in good condition, framed. — Grey Oval (Flat Mobile), 1974/1975 by Alexander Calder is a captivating lithograph. Measuring 74.3 … Continued

Tabouret Et Trois Pieds

Lithograph in colors on BFK Rives – Published by Maeght, Paris — Tabouret Et Trois Pieds, 1969 by Alexander Calder is a lithograph reflecting his distinctive style. Sized at 76.2 x 58.4 cm, the artwork captures Calder’s playful essence and dynamic visuals. Bold colors and abstract forms evoke movement, showcasing his knack for imbuing pieces … Continued

Grey Oval (Flat Mobile)

Signed and numbered 96/100 in pencil, with occasional soft handling creases (mainly visible in raking light), occasional minor surface soiling at the sheet edges, stray ink at the lower right and upper left sheet edge, otherwise in good condition, framed. — Grey Oval (Flat Mobile), 1974/1975 by Alexander Calder is a captivating lithograph. Measuring 74.3 … Continued

Comètes

Color lithograph on vellum paper – Signed and numbered in pencil – Image 57 x 51 cm; 22 1/2 x 20 in – Sheet 68 x 55 cm; 26 3/4 x 21 5/8 in

L’albero del bene e del male

Lithograph on paper — “In this lithograph, Calder showcases his distinctive style characterized by playful and abstract forms. The composition features an imaginative representation of the tree of good and evil, embodying Calder’s fascination with balance, movement, and the interplay between positive and negative space. As a limited edition print, “”L’albero del bene e del … Continued

Spirale millepiedi

Lithograph on paper — Alexander Calder’s “Spirale millepiedi,” created in 1972, is a remarkable limited edition lithograph that exemplifies the artist’s signature style and innovative approach. This artwork showcases Calder’s mastery of organic forms and dynamic movement. With its size of 84 cm × 56.6 cm, “Spirale millepiedi” invites viewers to explore the mesmerizing interplay … Continued

Girandola

Lithograph on paper — “Girandola” is a limited edition lithograph print created by the renowned artist Alexander Calder in 1972. The artwork measures 75.5 x 56 cm and showcases Calder’s unique artistic style. In this lithograph, Calder employs his signature abstract forms and vibrant colors to create a sense of movement and playfulness. As a … Continued

Untitled, c.

The Ellie Award is a bronze sculpture inspired by Calder’s iconic “Walking Elephant.” This particular piece, created circa 1970, is part of the prestigious National Magazine Awards, which recognize excellence in the magazine industry. Known colloquially as the “Ellies” or “Grazing Elephants,” approximately 20 of these awards are bestowed annually. – Specifications: – CA 1970 … Continued

Sala Gaspar

Original lithograph on Arches paper – published by Galeria Joan Gaspar, Barcelona

Holiday

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Jungle Kitchen

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Untitled (Ich will erstmal ‘ne Cola!)

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Studies on Will

One-run photogravure on 8 separate plates with screenprinted text

Two Assemblages (opaque)

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Portrait of a Seahorse Necklace

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N°476, Décembre 2006 – Mars 2007

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Three Views Of An Object #3

Photoetching

Three Views Of An Object #1

Photoetching

La Revolte de Caracteres

Rote Konstellation

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Poetic Feet

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Total Lunar Eclipse

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James McQueen Meet Me At The Bottom Of The Bottle

Meet Me At The Bottom Of The Bottle By James McQueen Mixed media, archival pigment and silkscreen on deckle-edged satin paper. Hand signed and numbered by James McQueen. Edition of 95. 2023. Framed size 112 x 78 cm.

David Hockney No 281 My Window iPad Drawing

No 281 My Window iPad Drawing By David Hockney 8 colour inkjet print on cotton fiber archival paper. 55.9 x 43.2 cm. Edition of 250. Hand signed, numbered and dated by David Hockney. Art Edition (No.251-500), 23rd July 2010. Published in 2019. From the My Window series. Excellent condition, framed.

David Hockney No 610 My Window iPad Drawing

No 610 My Window iPad Drawing By David Hockney 8 colour inkjet print on cotton fiber archival paper. 55.9 x 43.2 cm. Edition of 250. Hand signed, numbered and dated by David Hockney. Art Edition (No.501-750), 23rd December 2010. Published in 2019. From the My Window series. Excellent condition, framed.

Hypocycloid. Parametric Representation

Hypocycloid. Parametric Representation. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Non-Periodic Orbits. k = 1,2,3,4,5

Non-Periodic Orbits. k = 1,2,3,4,5. 20245. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Involute Of A Circle

Involute Of A Circle. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Cardioid. de Castillon. 1741

Cardioid. de Castillon. 1741. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Limit Cycle

Limit Cycle. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

The Centroid Is The Given Region Bounded By The Curves

The Centroid Is The Given Region Bounded By The Curves. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

y = e to -x sin x

y = e to -x sin x. Archival Ink on Canvas. 24 x 24 x 1.5

Hypocycloid. Parametric Representations

Hypocycloid. Parametric Representations. 2024. Archival Ink on Canvas. 24 x 24 x 1.5

Graph Curve. x = Phi φ(t)_ y = Psi ψ(t)

Graph Curve. x = Phi φ(t)_ y = Psi ψ(t). 2024. Archival Ink on Canvas. 24 x 24 x 1.5

On Underlying Theory. f(x) = 1/x sq

On Underlying Theory. f(x) = 1/x sq. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Polar Coordinates. Analytical Study

Polar Coordinates. Analytical Study. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Double Generation Of Hypocycloid. r1 R-r.

Double Generation Of Hypocycloid. r1 R-r. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Logarithmic Spiral

Logarithmic Spiral. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

Polar Curve With Circle

Polar Curve With Circle. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches

White Hat and Sunglasses

At Graphicstudio Alex Katz explored the cyanotype technique, a printmaking process first invented in 1841 and commonly used for architectural blueprint drawings. White Hat and Sunglasses is outlined in vivid blue bleed, where the print image is extended to the edges of the paper. This cartoonish preliminary sketch is of Ada and is revealed in … Continued

Rojo y Negro

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Untitled #4, from the series Chance and Necessity

2-run, 2-color direct gravure with photogravure The title of Chance and Necessity references a concept taken from Zen Buddhist thought. During the summer of 2015, Cinto was in residence at Aomori Contemporary Art Centre in Aomori, Japan, where she began an investigation that is continued in Chance and Necessity. She states, “… it seems that I found the … Continued