Bufly (GPBF)
Further details
Further details
Further details
Further details
Further details
Arden Scott is a sculptor who lives and works in Greenport, Long Island, next to Brewer’s Boat Yard where she keeps the Annie – a 28 foot sailboat she built. As a guest artist at Bob Blackburn’s printmaking workshop, she was seduced by etching as a creative form complimenting her sculpture. She shows extensively in … Continued
Arden Scott is a sculptor who lives and works in Greenport, Long Island, next to Brewer’s Boat Yard where she keeps the Annie – a 28 foot sailboat she built. As a guest artist at Bob Blackburn’s printmaking workshop, she was seduced by etching as a creative form complimenting her sculpture. She shows extensively in … Continued
Further details
Signed on Reverse
Arden Scott is a sculptor who lives and works in Greenport, Long Island, next to Brewer’s Boat Yard where she keeps the Annie – a 28 foot sailboat she built. As a guest artist at Bob Blackburn’s printmaking workshop, she was seduced by etching as a creative form complimenting her sculpture. She shows extensively in … Continued
One of the rare horizontal Men in the Cities prints, Robert Longo created this remarkably vibrant and fun original lithograph in 1990. Hand-signed, dated and numbered in pencil, it measures 26 x 40 in. (66 x 101.6 cm.), unframed and is from the edition of 48.
Hypocycloid. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches
Albrecht Durer, German, 1471-1526. St. John Devours the Book, from The Apocalypse series of 1497 and 1498. This is from the 1511 edition with Latin text on the verso. See the photo of description by a gallery many years ago that is part of an info package on the verso of the frame. A 1511 image sold at … Continued
Richard J. Anuskiewicz, 1930-2020, American. Untitled screen print. A leader of the OpArt movement, he is represented in most major museums and has won many awards and prizes including a Pulitzer. His paintings go at auction for $30,000 to $60,000 and his prints for $300 and up. There is a tiny nick in the upper … Continued
This limited edition features laser-cut museum board reliefs framed in white. Part of an edition of 55, this signed work by Julian Opie measures 18 inches tall by 36.5 inches wide.
This framed silkscreen on archival paper is part of a limited edition of 50. It is signed and numbered by the artist and it measures 21 5/8 inches tall by 21 5/8 inches wide.
War By Numbers By Shepard Fairey Offset lithograph on paper. 91.4 x 61 cm. Edition of 750. Signed, numbered and dated by Shepard Fairey. Published by Obey Giant. Unframed.
Bronze with patina sculpture. Incised signature by the artist and stamp numbered with foundry and date. From the edition of 350. Size including marble plinth approx 15 x 8.5 x 3.5 inches. Additional images are available upon request. Certificate of Authenticity is included. All reasonable offer will be considered. About the Artist: Salvador Dalí (Spanish, … Continued
Silkscreen on 290 gram Coventry Rag paper 37 x 38 inches Edition of 100, 10 APs, 10 PPs Signed and numbered by the artist 2009
Transcendental Functions. Min Max Of Damped Vibration Curve. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches
Silkscreen on 320 gram Coventry Rag 36 x 30 inches Edition of 10 Signed and numbered by the artist
Silkscreen 320 gram Coventry Rag paper 20 x 20 inches Edition of 8 Signed and numbered by the artist
Silkscreen 320 gram Coventry Rag paper 20 x 24 inches Edition of 8 Signed and numbered by the artist
Printed on 300gr off-white Arches velin paper, combining a traditional soft ground etching using a copper plate with unique hand-finished elements in pencil and watercolor. Hand signed lower right by Javier Calleja. Hand numbered 28/70 lower left. Artwork size 31.5 x 23.6 inches. Frame size: 34 x 26.5 inches. Artwork is in excellent condition. Certificate … Continued
A beautiful etching created by Donald Baechler in 2007, Untitled (III) is one of five individual prints that comprise the Five Flowers portfolio, each print measuring 25 x 19 1/4 in. (63.5 x 48.9 cm), unframed, each hand-titled, signed and numbered in pencil from the edition of 35.
Created by Robert Rauschenberg as a color screenprint and photo-lithograph in 1989, Untitled measures 39 3/8 x 27 ½ inches (100 x 70 cm), unframed and is hand-signed, dated and numbered in pencil, from the edition of 90.
A perfect example of the artist’s unique imagery, Blue Notation was created by Caio Fonseca in 1998. An original etching with chine collé on Somerset White paper, the artwork is hand-signed, dated and numbered in pencil measuring 7 7/8 x 10 7/8 in; 20 x 27.6 cm., unframed and is from the edition of 30 … Continued
Created in 2015 as a stunning screenprint with textured flocking, Donald Sultan’s, Yellow Mimosa is hand-signed, titled, dated and numbered by the artist in pencil measuring 32 x 45 in (81 x 114 cm), unframed and from the edition of 50 as issued.
Etching c. 1935 image 32.9 x 29.2cm, sheet 39 x 33.2cm Signed in pencil
Double Generation Of Hypocycloid. r1 = R-r. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches
Transcendental Functions. Min Max Of Damped Vibration Curve. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches
Polar Curve With Circle. 2024. Archival Ink on Canvas. 24 x 24 x 1.5 inches
Curve Sketching Polar Coordinates. 2024. Archival Ink on Canvas. 30 x 22 x 1.5 inches
Medium: Archival pigment print on paper, signed and numbered by the artist. Edition: – Regular Format: 1 to 25 – Medium Format: 1 to 5 – Large Format: 1 to 5 – XL Format: 1 to 5 Size: – Regular Format: 50.8cm x 40.64cm – Medium Format: 76.2cm x 50.8cm – Large Format: 101.6cm x … Continued
Medium: Archival pigment print on paper, signed and numbered by the artist. Edition: – Regular Format: 1 to 25 – Medium Format: 1 to 5 – Large Format: 1 to 5 – XL Format: 1 to 5 Size: – Regular Format: 50.8cm x 50.8cm – Medium Format: 76.2cm x 76.2cm – Large Format: 101.6cm x … Continued
Screenprint, 1973. Signed in pencil, an artist’s proof aside from the edition of 72. Printed on wove paper at Kelpra Studio, London. Published by Waddington Graphics, London. (Dempsey 32)
Screenprint, 1973. Signed in pencil, an artist’s proof aside from the edition of 72. Printed on wove paper at Kelpra Studio, London. Published by Waddington Graphics, London. (Dempsey 32)
Lift-ground etching, aquatint, carborundum and hand-colouring. Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist’s proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and published by the Modern Art Museum of Fort Worth, Texas to celebrate their 100th anniversary, as part of the Centennial Print Project … Continued
One of a suite of five woodcuts printed on Fabriano Artistico paper with inks hand mixed from pure powdered pigments and plate oil. Titles of the prints in this series: “Array 500/Tan”, “Array 500/Orange”, “Array 500/Gray”, “Array 500/Brown”, “Array 500/Blue” This suite of five woodcuts by Rupert Deese titled “Array 500” constitute part of the … Continued
One of a suite of five woodcuts printed on Fabriano Artistico paper with inks hand mixed from pure powdered pigments and plate oil. Titles of the prints in this series: “Array 500/Tan”, “Array 500/Orange”, “Array 500/Gray”, “Array 500/Brown”, “Array 500/Blue” This suite of five woodcuts by Rupert Deese titled “Array 500” constitute part of the … Continued