Published by Glasgow Print Studio. Plant studies have been a favourite subject of the artist since she began making etchings regularly at Glasgow Print Studio in the 1980s. Although best known for her delicate depictions of orchids, in recent years she has produced etchings and screenprints of poppies, passionflowers and gladioli. Both mediums are well … Continued
Year: Circa 1996 Good To Know: Unframed, stored flat in humidity controlled art storage facility, condition report available upon request. Price: Excludes international shipping and appliciable import duties / charges. Please contact our gallery to obtain a shipping quote. Delivery within Singapore is free. Arty-Fact: Having traveled extensively, Gorbachev’s art combines the history, mythology and … Continued
Original screenprint, soft-ground etching and aquatint in colors on Velin Arches White paper, with hand-coloring added. Hand-signed and dated in pencil in the margin lower left Dine 1990. A superb impression of the definitive state, from the edition of 40 (plus proofs); numbered in pencil in the margin also lower left. The second of seven … Continued
Monotype in acrylic inks on Curious Metallics 300gsm acid free paper. The surface of the paper has a subtle sheen that changes depending on the viewing angle.
Monotype in acrylic inks on Curious Metallics 300gsm acid free paper. The surface of the paper has a subtle sheen that changes depending on the viewing angle.
Monotype in acrylic inks on Curious Metallics 300gsm acid free paper. The surface of the paper has a subtle sheen that changes depending on the viewing angle.
Monotype in acrylic inks on Curious Metallics 300gsm acid free paper. The surface of the paper has a subtle sheen that changes depending on the viewing angle.
Monotype in acrylic inks on Curious Metallics 300gsm acid free paper. The surface of the paper has a subtle sheen that changes depending on the viewing angle.
Plate 5 from Ludo portfolio. Lithograph in colors on arches paper. Hand signed and dated on front by Keith Haring. Hand numbered 39/90 on front (there are also 15 artist proofs). Artwork size 26 x 19 inches. Frame size approx 35 x 27 inches. Printed by Atelier I. D. L., Paris. Published by Éditions F. … Continued
Landscape with Farm Buildings By L.S Lowry Offset lithograph on wove paper. 43.5 x 52 cm. Hand signed in pencil by Lowry. 1974. Published by Venture Prints Ltd. With the Fine Art Trade Guild blindstamp. Framed.
Share By KAWS Colour screenprint on Stonehenge grey paper. 51 x 40.6 cm. 2021. Edition of 500. Hand signed, dated and numbered by KAWS. Published by Serpentine Galleries and KAWSONE.
I Will Retrieve Your Phone By David Shrigley 12 colour screenprint with varnish overlay on Somerset Satin Tub sized 410 gsm paper. Edition of 125. 76 x 56 cm. 2021. Hand signed, dated and numbered by David Shrigley. Mint condition.
Celia Adjusting Her Eyelash By David Hockney Lithograph on Twinrocker handmade paper. 1979. 78.8 x 58.3 cm. Edition of 100 Signed, dated and numbered in pencil by David Hockney. Published by Gemini GEL, Los Angeles, with their blindstamp.
Multiplex D Woodcut on laid paper Image size: 9 x 12 inches (22.9 x 30.5 cm) Paper size: 12 3/4 x 16 inches (32.4 x 40.6 cm) Frame size: 14 x 17 1/4 inches (35.6 x 43.8 cm) Edition of 30, 10 AP Signed, titled, and dated in graphite (Inventory #36624)
Happy Choppers (unsigned) By Banksy Colour screenprint on paper. 2003. From the unsigned edition of 600. 70 x 50 cm. Happy Choppers Series. Accompanied by the Pest Control Office Certificate of Authenticity. Published by Pictures on Walls, London.
On Me Not In Me By Harland Miller Colour screenprint on wove paper, hand-finished with gold leaf. 2015. Edition of 50. 80 x 65 cm. Signed and numbered by Harland Miller. Published by Other Criteria, London. Framed.
3 WISHES 4 EVER By Harland Miller Three screenprints on Somerset Radiant White Tub Sized 410gsm with hand torn edges. Housed within the original bespoke cloth bound portfolio. Paper size: 150 x 108.5 cm. Portfolio size: 152 x 111 cm. Edition of 50. Signed and numbered by Harland Miller. Released by White Cube in 2022.
Screenprint in colours on Somerset wove paper (135 x 60 x 5 cm / 53.1 x 23.6 x 2 in) Signed and numbered on the front with publisher’s blindstamp Excellent condition. Visible only on the reverse, some minor discolouration from residual tape along the very edges of the print. No other apparent condition issues. Sold … Continued
Crayon and mixed media on paper Signed Framed
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Still Life with Bowl of Peaches and Verve Cover, 2022 Oil on canvas 18 x 18 inches COH106
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The plexiglass used is fluorescent under black-light
Cast Paper pulp Monotypemon Signed and Dated Provenance: -Aaron Payne Fine Art -Jean McDonough Collection -Thomas Segal Gallery, Boston
A portrait of the artist and his wife, Alex and Ada by Alex Katz is an early and beautiful work of art. Created by the artist in 1976 as a screenprint in colors, this original print is hand-signed in pencil, and numbered from the edition of 75, measuring 30 x 36 in. (76.2 x 91.3 cm), … Continued
An image of uncommon delicacy, Pamela (Gray) by Alex Katz is an early and stunningly beautiful work of art. Created by the artist in 1976 as a screenprint and lithograph in colors, this original print is hand-signed in pencil, and numbered from the edition of 30, measuring 28 1/2 x 21 1/2 in. (72.4 x … Continued
2008-2009 Signed and Dated
Screenprint in colours on wove paper Edition of 90 Signed, numbered and dated on the front Excellent, no apparent condition issues. Not inspected out of the frame Float-mounted and framed Frame: 121 x 121 x 6 cm / 47.6 x 47.6 x 2.3 in
Screenprint on paper Signed and numbered on the front
Brillo Soap Pads – 1970 Pasadena Art Museum By Andy Warhol Original exhibition poster from the 1970 exhibition at the Pasadena Art Museum in California (now known as the Norton Simon Museum). Colour screenprint on paper. 1970. 76 x 66.1 cm. Framed. Unknown edition size.
Inferno By Damien Hirst Lenticular print on PETG plastic. 61 x 61 cm. Edition of 50. Signed and numbered on the reverse. Framed. From the Entomology Paintings Series. Damien Hirst’s ‘Inferno’ (2016), a lenticular digital print, remarks in incredible detail his fascination with natural history through his rendering of insects. Set against a dark backdrop, the … Continued
