Then I wasn’t Alone Life was here
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
Rose Window 5B Relief on Handmade Paper 24″ x 24″ Unique 2006 $3500 This work, part of a large two-year project, focuses on the geometry of the rose window of the great cathedrals of Western Europe. Devised only after the arrival of Arabic numbers and geometry from the East, the design of rose windows relied … Continued
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
2 colour lithograph on Somerset Velvet Warm White 400gsm – Signed, numbered and dated by the artist – From series: A Journey To Death – Published by by Counter Studio, Margate.
Lost wax crystal – The obcect: 88.5 x 56 x 8 cm – Incl. metal stand: 106 x 56 x 25 cm, – Ed. Lalique – Signed and numbered
Crystal Sculpture on corian base (Lost wax) – Signed and numbered
Giclée Print on Cotton Smooth Rag – Signed and numbered
220 for 2020. Art Edition No. 101–200 ‘Self-Portrait in My Living Room’ – 11-color inkjet print on cotton-fiber archival paper – Signed, numbered and dated
220 for 2020. Art Edition No. 301–400 ‘My Second Drawing of Beuvron-en-Auge’ – 11-color inkjet print on cotton-fiber archival paper – Signed, numbered and dated
Signed and numbered
Signed and numbered
signed bottom center, with the artist’s inventory number verso, Grace Borgenicht Gallery, NY label verso
Signed and numbered
Signed and numbered
Signed and numbered
Various sizes: 9 prints measure 35.6 × 30.5 cm / 14 × 12 in – 4 prints measure 63.5 × 45.7 cm / 25 × 18 in – 3 prints measure 50.8 × 40.6 cm / 20 × 16 in
Ex Libris #7 – “Illusion and Reality”(Christopher Caudwell, 1937) – Book with separate coloured screen print “Tiles” (47 x 37 cm)
Screenprint on paper – From Portfolio (Ten Works by Ten Painters) – Publisher The Wadsworth Atheneum, Hartford, Connecticut — “Birmingham Race Riot (F.S. II.3)” is a limited edition screen-print by Andy Warhol, created in 1964. This artwork reflects Warhol’s exploration of political and social themes through his distinct pop art style. Measuring 50.8 x 61 … Continued
Screenprint on HMP paper – Signed and dated in pencil on verso
Screenprint in colors on wove paper – Signed and dated in ink, verso lower left; edition and publisher’s ink stamp, verso lower right – Published by Bruno Bischofberger, Zurich – Printed by Silkprint Kettner, Zurich – LITERATURE: Feldman & Schellmann, II.83.
Screenprint on Somerset Satin White paper – Signed and numbered in pencil
From the Myths Suite – Graphite on handmade paper – Stamped with “The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. ” stamps, inscribed ‘VF’ and numbered ‘83.0003’ (on the reverse)
Xerox print on typewriter paper – Signed and numbered in ball-point pen on verso – Each print is unique. Based on a drawing by Andy Warhol. The drawing of Mao was Xeroxed sequentially, each time enlarging the image 1% to 2% until, at the end of the edition, it was completely abstract
F&S 228 – Screenprint and colophon on Lenox museum board – Hand signed and numbered in the lower right corner – From “Ten Portraits of Jews of the Twentieth Century” – Published by Ronald Feldman Fine Arts Inc. New York & Jonathan A Editions Tel Aviv Israel
Lithograph, screenprint on white 350 gram Arches 88 mould-made paper – Hand Signed Dated and Numbered – Series: Exotic Birds – Published by Tyler Graphics Ltd., Bedford Village, New York
Lithograph and screenprint on 320 gram Arches Cover paper – Hand Signed Dated and Numbered – Published by Petersburg Press, New York
Screenprint on Arches Cover Black paper – Signed, dated and numbered in pencil
Woodcut on handmade Iwano Kizuki Hosho paper – Signed, dated and numbered in pencil – Series: Seven Apple Woodcuts – Published by Petersburg Press, Inc., London and New York
Embossed screenprint on Arches cover paper – Signed in pencil by Julia Gruen (Executor of the Keith HaringEstate), dated ‘6/28/90’ and numbered on the stamped Certificate of Authenticity verso
From the AP Edition outside the edition of 19 – Published by Gemini G.E.L. – Suite: Pages and Fuses – Original Handmade paper – Hand numbered with Inkstamp on the reverse and with the artist’s signature blindstamp – Measurement indicates combined sheet sizes
From American Signs Portfolio – Original Serigraph in Colors on Paper – Hand-signed numbered and titled
From American Signs Portfolio – Original Serigraph in Colors on Paper – Hand-signed numbered and titled
Space Fruit: Pears 203 by Andy Warhol exemplifies his modern approach to the still life genre. With its bright colors of green and pink, Warhol demonstrates more interest in the drawing’s vibrancy than its realism. His use of shadow and detailed lines on the pears gives the fruit more of a realistic quality as they become more 3-Dimensional. … Continued
Like that of the Grapes series and Space Fruit: Lemons, Space Fruit: Oranges showcases Warhol’s signature techniques of screenprinting. During the 70s, Warhol began relying on shadowing and hand drawn lines more heavily in his still life portraits. Warhol adds color to the oranges in pairs; two in orange, two in the screen of the … Continued
Andy Warhol was inspired to create his Hammer and Sickle complete portfolio after a trip to Italy. He took note of the omnipresent hammer and sickle graffiti that symbolized the union of industrial and farm workers under communist control. He asked his assistant, Ronnie Cutrone, to search for appropriate materials from which he could create his pieces. Cutrone purchased … Continued
SHOES 255 In 1980, Andy Warhol returned to his roots as a commercial illustrator, by creating his “Shoes” series. Warhol implemented his signature style of repetition, arranging the shoes in a seemingly haphazard, yet methodical manner. The composition provides a candid perspective of shoes, spilled out on the floor in no particular order, but also … Continued
DIAMOND DUST SHOES 256 In 1980, Andy Warhol returned to his roots as a commercial illustrator by creating his Shoes series. Warhol implemented his signature style of repetition, arranging the shoes in a seemingly haphazard, yet methodical manner. The composition provides a candid perspective of shoes, spilled out on the floor in no particular order, … Continued
DIAMOND DUST SHOES 257 In 1980, Andy Warhol returned to his roots as a commercial illustrator, by creating his Shoes series. Warhol loved to draw them—high heels, pumps, or jeweled stilettos– many of them were blotted-line drawings, filled in with color, and created when the artist was a commercial fashion illustrator in 1950s New York. … Continued
Andy Warhol’s Grapes complete portfolio is part of the several still life portraits that he began to produce in the 1970s, including a special edition Grapes series with diamond dust. Along with the increase of still life works in his oeuvre, Warhol also began to incorporate more hand drawn lines into his compositions. This new technique, along with his … Continued
Screenprint in colors on paper plate Provenance: -Collection of Martin and Enid Packard History: Roy Lichtenstein produced on commission the famed paper plate, for designer and Photographer Bert Stern for his New York boutique, Located on First Avenue at 61st in Manhattan, the shop was opened with the idea of commissioning stylish-yet-inexpensive objects for … Continued
Lithograph in Colors on Arches – Published by Alba Editions, Inc., to aid the National Emergency Civil Liberties Committee – Suite: Our Unfinished Revolution portfolio – Signed and numbered in pencil
Lithograph on arches wove paper – Hand-signed by artist – Series: Album 21 – Published by Maeght Éditeur, Paris
Lithograph on Special Arjomari paper – Image: 25 x 45 in; Sheet: 30 x 50; – Signed and dated lower right margin with Gemini G.E.L. blind stamp; edition lower left margin – Published and printed by Gemini G.E.L., Los Angeles – literature: Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1993. New … Continued