Seelenverkäufer
Edition by Art Edition-Fils
Edition by Art Edition-Fils
Edition by Art Edition-Fils 4-part
About the project “The Red Couch: a Gallery of Mankind” In 1979 Horst Wackerbarth first traveled through the USA with a red sofa and the aim of producing a subjective portrait of the country. By the early 1980s lots of exhibition centers around the world were already dedicating first exhibitions to this series. For four … Continued
Edition by Art Edition-Fils About the project “The Red Couch: a Gallery of Mankind” In 1979 Horst Wackerbarth first traveled through the USA with a red sofa and the aim of producing a subjective portrait of the country. By the early 1980s lots of exhibition centers around the world were already dedicating first exhibitions to … Continued
Edition by Art Edition-Fils About the project “The Red Couch: a Gallery of Mankind” In 1979 Horst Wackerbarth first traveled through the USA with a red sofa and the aim of producing a subjective portrait of the country. By the early 1980s lots of exhibition centers around the world were already dedicating first exhibitions to … Continued
Edition by Art Edition-Fils About the project “The Red Couch: a Gallery of Mankind” In 1979 Horst Wackerbarth first traveled through the USA with a red sofa and the aim of producing a subjective portrait of the country. By the early 1980s lots of exhibition centers around the world were already dedicating first exhibitions to … Continued
Edition by Art Edition-Fils About the project “The Red Couch: a Gallery of Mankind” In 1979 Horst Wackerbarth first traveled through the USA with a red sofa and the aim of producing a subjective portrait of the country. By the early 1980s lots of exhibition centers around the world were already dedicating first exhibitions to … Continued
Edition by Art Edition-Fils
Edition by Art Edition-Fils
Edition by Art Edition-Fils
Lithograph on BFK Rives paper
1982-87/2022 Hand pulled screenprint Signed by Lisane Basquiat and Jeanine Heriveaux, the Administrators of the Estate of Jean-Michel Basquiat
1982-87/2022 Hand pulled screenprint Signed by Lisane Basquiat and Jeanine Heriveaux, the Administrators of the Estate of Jean-Michel Basquiat
Jürgen Stollhans Amanita muscaria (round cap) Little Red Riding Hood, 2017 Linocut in five colors 86 x 61 cm Edition: 25 (5 EA), signed, numbered
Felix Braquemond, French, 1833-1914. Labor or Farmer With a Hoe, after Jean-Francois Millet. Ink signature. Museum matted. Believed to be eighth state of nine. Edition of 250 this state on vellum according to Beraldi, but likely much smaller.
James A. M. Whistler, American, 1834-1903. La Robe Rouge, Lithograph, 1894. L.96, Way 68, W.23, as published in The Studio, London Image: 6.5×9” Archival Frame: 13×15.5
Anders Zorn, Swedish, 1860-1920. The Three Graces, etching, 1910. Asplund 236, pencil signed. Edition size unknown. Image: 4.5×6.25” Sheet: 8.5x 13.25” Museum mat: 11×14” A fine Impression in excellent condition.
An artwork of understated elegance, Autumn 2, by Alex Katz was created by the artist in 2023, and is hand-signed and numbered in pencil measuring 40 x 80 in. (102 x 203 cm), unframed, from the edition of 75 as issued.
Medium: 10 colour screenprint with no varnish overlay printed on Somerset Satin Tub sized 410 gsm Size: 75 x 56 cm Edition of 125 (+12 AP) Signed and numbered Price: € 2,900
Medium: Photographic print on Hahnemühle paper + hardcover book. Print Size: 19.1 × 19.1 cm Book Size: 12.5 x 10.5 inches, 64 Pages Edition of 200 Signed on reverse, numbered in publication Price: € 2,900
If the rain comes / They run and hide their heads / They might as well be dead, 1991/1997/2013 Archival Fine Art Print on Hahnemühle 41 x 27 cm, three motifs Edition: 10 each (2 EA), signed, numbered 500 €, folder with all three motifs: 1,200 € The starting point for Dahn’s editions for Provinz … Continued
Medium: Cast vase in translucent red glass housed in custom box. Size: ⌀ 19cm x 21cm x 21.2cm Edition of 300 Hand signed and numbered COA plus artist’s signature engraved on base of sculpture. Price: € 4,500
Medium: Tin Sculpture in custom box. Size: 32 × 8 cm Edition of 250 Engraved signature and numbered + COA Price: € 1,100
Kai Althoff untitled, 2018 Lithography in four colors on 190g Saunders Waterford Handmande Paper, 62 x 52,5 cm / 24,4 x 20,6 in Edition: 82 (30 EA), numbered, signed printed by Felix Bauer, Cologne
Kai Althoff untitled, 2012 – 2014 Offsetprint in nine parts on design offset naturweiss 250g 139,5 x 161 cm /54,9 x 63,4‘ Edition: 90 (30 EA), numbered, signed in handmade embossed linen portfolio
Friedrich Kunath I don‘t worry anymore, 2017 Archival Fine Art Print and three color screenprint on museum board 90 x 65 cm / 35,4 x 25,6 inches, unframed Edition of 50 (5 EA, 5 PP), signed, numbered on sticker on reverse, with accompanying certificate Single tall firs and a dense forest stand out dark and … Continued
Gerhard Richter Mao, 2019 Archival fine art print on Hahnemühle Photo Rag Duo 276 g 100% cotton paper, Diasec matt 2mm on 1mm aluminium, 29,7 x 23 cm, framed Number XIX of XXX copies (VI AP, IV PP), signed und dated „Richter, 2019“ verso, titled „Mao“ and numbered roman verso Catalogue Raisonne Editions Butin Nr. … Continued
Woodcut, etching and hand drawing on Lenox 100
Stamped and authenticated by the Estate of Andy Warhol and the Andy Warhol Foundation
Each time a new artist is invited to Wildwood Press we expect the first visit to be a week in which we all “play”. It is a time during which an artist learns what it is that Wildwood Press does, and in turn we learn what it will take to meet the challenge of the … Continued
Juan Sanchez melds his visual lexicon and artist Ana Mendieta’s iconic imagery in a tribute to Mendieta who died at age 36 after a fall from her 34th floor apartment window. Her husband, artist Carl Andre, was tried and acquitted of her murder. Juan Sanchez and his wife Alma Villegas, both friends of Mendieta, attended … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black, acid free Curious Metallics 300 gsm. paper. The surface of the paper imparts a subtle shimmer which contrasts interestingly with the matte finish of the inks. As with much of Howe’s work, the wildly gestural image of a flower hovers on the edge of … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black, acid free Curious Metallics 300 gsm. paper. The surface of the paper imparts a subtle shimmer which contrasts interestingly with the matte finish of the inks. As with much of Howe’s work, the wildly gestural image of a flower hovers on the edge of … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black, acid free Curious Metallics 300 gsm. paper. The surface of the paper imparts a subtle shimmer which contrasts interestingly with the matte finish of the inks. As with much of Howe’s work, the wildly gestural image of a flower hovers on the edge of … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black, acid free Curious Metallics 300 gsm. paper. The surface of the paper imparts a subtle shimmer which contrasts interestingly with the matte finish of the inks. As with much of Howe’s work, the wildly gestural image of a flower hovers on the edge of … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black, acid free Curious Metallics 300 gsm. paper. The surface of the paper imparts a subtle shimmer which contrasts interestingly with the matte finish of the inks. As with much of Howe’s work, the wildly gestural image of a flower hovers on the edge of … Continued
Catherine Howe’s “Wallflower” monotypes are made using acrylic inks on black Curious Metallics acid free paper, 300 gsm. The paper surface has a subtle shimmer. Like much of Howe’s work, the wildly gestural depiction of a flower hovers on the edges of complete abstraction.
Oil on linen 30 x 46 inches (76.2 x 116.8 cm) Signed, titled, and dated on reverse (Inventory #29438)
Unique silkscreen monoprint Image/paper size: 56 x 56 inches (142.2 x 142.2 cm) Annotated and signed ‘5/S.LeWitt’ lower right (Inventory #21532)
Screenprint with lamé Signed, numbered, titled and dated on the front Pristine. No apparent condition issues. Not inspected out of the frame Window-mounted with acrylic Frame: 76 x 66 cm / 30 x 26 in