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Flowers (4)

Screenprint with lamé Signed, numbered, titled and dated on the front Pristine. No apparent condition issues. Not inspected out of the frame Window-mounted with acrylic Frame: 76 x 66 cm / 30 x 26 in

Serpentine (Blue)

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Frederick Douglass

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River Avon Mud Drawings

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Antony Gormley Insiders No7 Mixed Media Work on Paper

Insiders No7 Mixed Media Work on Paper By Antony Gormley Mixed media on paper. 1998. Signed, titled, dated and numbered in pencil verso. Number 7 of 14 unique works on paper in the series. From the iconic Insiders series. 76 x 57 cm. Excellent condition.

Cezanne

Red on Violet

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Karimoku

Karimoku By Kaws KAWS, the pseudonym of American artist Brian Donnelly, is widely recognized for his distinctive blend of street art and pop culture iconography. Renowned for his reinterpretations of familiar characters, including his signature “Companion” figures, KAWS has made a significant impact on contemporary art, seamlessly bridging the gap between urban art, toy design, … Continued

Pinocchio

Pinocchio By Kaws KAWS, the pseudonym of American artist Brian Donnelly, is widely recognized for his distinctive blend of street art and pop culture iconography. Renowned for his reinterpretations of familiar characters, including his signature “Companion” figures, KAWS has made a significant impact on contemporary art, seamlessly bridging the gap between urban art, toy design, … Continued

Red Red Blue

Red Red Blue By Bridget Riley Bridget Riley is a British artist known for her pioneering contributions to Op Art, characterized by vibrant, optical illusions that create a sense of movement and rhythm on canvas. With her geometric patterns and meticulous use of color, Riley’s work has had a profound impact on the perception of … Continued

Study of Perspective in Glass (Set of 5)

Study of Perspective in Glass (Set of 5) By Ai Weiwei Ai Weiwei is a prominent Chinese contemporary artist and activist known for his bold and provocative works that challenge political and social norms. Renowned for his outspoken advocacy for human rights and free expression, Ai Weiwei’s art spans various mediums, and his installations, such … Continued

Out of the Dark

Out of the Dark By Anish Kapoor Anish Kapoor is a renowned British-Indian sculptor recognized for his monumental and often experiential installations that play with form, color, and perception. His captivating use of materials, including the iconic “Cloud Gate” in Chicago’s Millennium Park, reflects Kapoor’s ability to meld art and architecture, inviting viewers to engage … Continued

An Image of Ken

An Image of Ken By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid use of color, distinctive compositions, and exploration of various mediums, Hockney’s work spans painting, drawing, photography, and more, leaving an indelible mark on the realms of  pop … Continued

Koi C, 2016

Koi A, 2016

Koi E, 2017

Water A, 2017

Badende B, 2017

En Vie – vivant, 2016

En Vie – l’eau, 2016

Influx III, 2017

Influx II, 2017

Influx 32F, 2017

Influx 68F, 2017

Influx 212F, 2017

Influx V, 2017

Echo Location #76

A multi layered woodblock monoprint

Echo Location #14

A multi layered woodblock monoprint

Echo Location #70

A multi-layered woodblock monoprint

Against the Grain 108

A multi-layered woodblock monoprint

Against the Grain #116

A multi-plate woodcut monoprint.

Jaillie du calcaire

Printed on fine wove paper. In perfect condition, with the colors bright and fresh.

French Landscapes: Daisies

Lenticular acrylic panel comprised of four injet prints in colors presented in aluminium frame

Motif aus Improvisation 25: The Garden of Love

Among the earliest of all abstract prints, executed by Kandinsky in 1911 for Klänge (published in 1913). This is a proof before the edition of 1200 printed in 1938 for XXe Siècle. Unlike most of the edition, it was never bound and thus has full margins. Printed on very good wove paper. In perfect condition. … Continued

Monsieur Vénus

Rachilde. Monsieur Vénus. Paris: Agori, 1972. A beautiful livre d’artiste WITH 35 ORIGINAL ETCHINGS (most with drypoint, and mostly erotic) BY LEONOR FINI. From a total edition of 275 numbered copies, this is ONE OF 20 PRINTED ON FINE RIVES WOVE PAPER, WITH A SECOND SUITE OF THE ETCHINGS PRINTED WITHOUT THE TEXT (so 70 … Continued

Susan

Screenprint in twelve colors on Arches paper

Eloge de Raoul Dufy. Orné de gravures originales.

Fernand Fleuret. Eloge de Raoul Dufy. Orné de gravures originales. Paris: Pour les Amis du Docteur Lucien-Graux (Manuel Bruker), 1931. A SPECIAL COPY WITH SIGNED PRINTS BY DUFY. A tribute to Dufy, illustrated with an etching and four color lithographs by the artist. Edition limited to 150 numbered copies, all printed on fine Arches wove … Continued

Stone Age

c. 1970 Lithograph in colors, on wove paper

Collage for Bengt Wallin

A wonderful collage made for Swedish jazz composer and musician Bengt Wallin (1926-2015). Signed and inscribed by the artist in ink. In perfect condition. Provenance: Bengt Wallin (1926-2015), Swedish jazz composer and musician

Retour du neveu prodigue (Return of the Prodigal Nephew)

A fine satirical drawing by Louis Jou (Lluís Jou, in the original Catalan), doubtless intended for publication. It seems to be an allegory of Germany trying to rejoin the international financial system after World War I. Penciled text reads: “Retour du neveu prodigue. Comme tu me le dis, je te crois, mais si je l’avais … Continued

AVL Zürich 74

Printed on fine wove paper. Signed in pencil by the artist. In perfect condition.

Les cinq sens. Voir ouïr, sentir, goûter, toucher. (The Five Senses)

Ettore Tito. Les cinq sens. Voir ouïr, sentir, goûter, toucher. Paris: Le Prince, 1925. A portfolio of FIVE OUTSTANDING ART DECO POCHOIR PLATES BY ETTORE TITO (1859-1941), FINISHED BY HAND, PRINTED ON EXTREMELY FINE WOVE PAPER. Five loose leaves, each measuring 25 x 32 cm (three horizontal, two vertical) in the original paper envelope. FINE … Continued

From “Images du malheur”

Mere weeks after surviving the ordeal of World War II, Friedlaender (a Jewish artist) created “Images du malheur” (Image of Grief), a horrifying and complex set of twelve etchings (with aquatint) very much in the tradition of Goya’s “Disasters of War”. While the justification calls for 100 sets, many fewer were printed, and many of … Continued

From “Images du malheur”

Mere weeks after surviving the ordeal of World War II, Friedlaender (a Jewish artist) created “Images du malheur” (Image of Grief), a horrifying and complex set of twelve etchings (with aquatint) very much in the tradition of Goya’s “Disasters of War”. While the justification calls for 100 sets, many fewer were printed, and many of … Continued

From “Images du malheur”

Mere weeks after surviving the ordeal of World War II, Friedlaender (a Jewish artist) created “Images du malheur” (Image of Grief), a horrifying and complex set of twelve etchings (with aquatint) very much in the tradition of Goya’s “Disasters of War”. While the justification calls for 100 sets, many fewer were printed, and many of … Continued

From “Images du malheur”

Mere weeks after surviving the ordeal of World War II, Friedlaender (a Jewish artist) created “Images du malheur” (Image of Grief), a horrifying and complex set of twelve etchings (with aquatint) very much in the tradition of Goya’s “Disasters of War”. While the justification calls for 100 sets, many fewer were printed, and many of … Continued

6 Kupfertiefdrucke auf Aluminiumfoile (6 intaglios printed on aluminum sheets)

A portfolio of six abstract intagios printed on sheets of aluminum. Each print signed and justified by the artist. In the original folding portfolio case. In perfect condition.

Liegender Mann, stehende Frau, Skizze

AN OUTSTANDING EARLY PROOF SIGNED IN PENCIL BY THE ARTIST, printed before the scratches that deface almost all impressions of this rare print. Petermann (102) knew only of impressions signed by Lehmbruck’s widow Anita, and the impression reproduced in the catalogue raisonné was printed from the damaged plate. Petermann observes (p. XII) that Lehmbruck’s drypoint … Continued