AN OUTSTANDING LEAF FROM A DELUXE BOOK OF HOURS BY THE DUNOIS MASTER AND THE ST. STEPHEN MASTER. Medieval manuscript leaves that can be attributed to identifiable masters are very rare. These specific illuminators worked for important patrons such as the Duke of Bedford, the Chancellor Guillaume Jouvenel des Ursins, and Simon de Varie. A … Continued
An outstanding trial proof (annotated “Probedruck” by the artist) on greenish Japan tissue (extremely fine, thin Japanese laid paper) of this important Expressionist lithograph. Likely unique. Signed in pencil by the artist. In perfect condition.
From the private collection of Sylvan Cole, the publisher of this woodcut, the author of the first catalogue raisonné of Barnet’s prints, and the artist’s close friend and collaborator for over half a century. The block was executed by Barnet in 1940; the edition was published by Associated American Artists (then directed by Sylvan Cole) … Continued
FROM THE COLLECTION OF SYLVAN COLE, longtime director of Associated American Artists (publisher of this etching.) With the original card designed to be affixed to the back of the frame. This card, on fine wove paper, was issued with the lithograph and includes a brief biography of the artist. Nowadays it is very rare to … Continued
FROM THE COLLECTION OF SYLVAN COLE, longtime director of Associated American Artists (publisher of this etching.) Associated American Artists issued each lithograph and etching with a card designed to be affixed to the back of the frame. This card featured the title of the print and a brief biography of the artist. Oddly, while the … Continued
From the collection of Sylvan Cole, longtime director of Associated American Artists (publisher of this etching.) A greeting card from Margolies. A pencil-signed etching with a flap with a signed inscription (in ink). On fine wove paper. In perfect condition. A great rarity.
From the collection of Sylvan Cole, longtime director of Associated American Artists (publisher of this etching.) A greeting card from Margolies. A folded bifolium with the pencil-signed etching printed on one leaf and a signed inscription (in ink) on the inside. On fine wove paper. In perfect condition. A great rarity.
From the collection of Sylvan Cole, longtime director of Associated American Artists (publisher of this etching.) A greeting card from Margolies. A folded bifolium with the pencil-signed etching printed on one leaf and a signed inscription (in ink) on the inside. On fine wove paper. In perfect condition. A great rarity.
From the private collection of Sylvan Cole, the publisher, our founder, and a longtime friend and collaborator of the artist. Bishop executed this etching in 1935 but printed only a few proofs. We published an edition in 1984, to which this impression belongs. A perfect impression on fine wove paper. Signed in pencil by the … Continued
FROM THE COLLECTION OF SYLVAN COLE, author of the catalogue raisonné of Soyer’s prints, longtime director of Associated American Artists (publisher of this etching), and longtime friend and collaborator of the artist. A perfect impression on fine wove paper. Signed in pencil by the artist. In excellent condition.
FROM THE COLLECTION OF SYLVAN COLE, author of the catalogue raisonné of Hirsch’s prints, longtime director of Associated American Artists (publisher of this lithograph), and longtime friend and collaborator of the artist. With the original card designed to be affixed to the back of the frame. This card, on fine laid paper, was issued with … Continued
Image size: 5 x 6 7/8 inches (12.7 x 17.5 cm) Paper size: 9 x 11 inches (22.9 x 28 cm) Edition of 30 Numbered in lower left and initialed and dated lower right (Inventory #26003)
Image size: 23 1/4 x 23 5/8 inches (59.1 x 60 cm) Paper size: 32 x 30 inches (81.3 x 76.2 cm) Edition of 20 Signed and dated lower right, titled lower left, numbered lower center (Inventory #19271)
1974 (printed in 1981) Softground etching, aquatint (5 copper plates) Rives BFK
Screenprint in color on A.N.W. Crestwood Museum Edition paper
Screenprint in color on A.N.W. Crestwood Museum Edition paper
Additional sizes available
Collaged handmade paper with silkscreened pigment paper pulp, pochoir, digital print, and applique of cloth
Photogravure with chine-colle on paper
Created by David Shapiro in 1988, Clearing is an original mixed media etching with collage on hand-made paper. This hand-signed, dated and numbered artwork measures 13 x 27 in. (33 x 68.6 cm), unframed and is from the edition of 30.
Created by Antoni Tapies, Composición is an original lithograph on wove paper. Hand-signed in pencil and numbered from the edition of 40, the artwork measures 22 x 30 in. (56 x 76 cm), unframed.
Photographed by the artist in 1937 and printed from his original negative in 1979, George Hurrel’s, Tyrone Power & Loretta Young is a gelatin silver print measuring 20 x 16 in (50.8 x 40.6 cm), unframed. The print is hand-signed by the photographer in ink, numbered from the edition of 15.
Lithograph in colours, 1995, on BFK Rives paper, signed and dated in pencil, inscribed ‘P.P.’ a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindstamp, 67.9 x 53.3 cm. (26¾ x 21 in.) Frankenthaler was a trailblazer of the modern print-making movement, endlessly pushing and transcending … Continued
A unique work, 1977, acrylic on paper, signed and dated ‘Frankenthaler ’77’ in pencil, 61 x 99 cm. (24 x 39 in.) Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. From an early age she had a profound interest in understanding how painting worked … Continued
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelona, 87 x 68 cm. (34¼ x 26¾ in.)
In Habit of Being, London-based artist, Charlotte Rose, evokes a sense of consumer nostalgia for 20th century advertising to explore how flagrant lies were once used to sell cigarettes. In a homage to old advertising, Rose has created her collage using black and white magazine ads from French magazines from the 60s and 70s, overlaid with golden … Continued
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ takes its name from the nautical term for a military formation of boats or ships, though Frankenthaler’s scene appears to … Continued
Capulet is from Charlotte Rose’s 2023 solo show curated by Enter Gallery, The Shakespeare Tobacco Company. The show continues Rose’s exploration of the Machiavellian branding tactics used by companies to sell dangerous products. By evoking classic works, Rose compares Shakespearean tragedy with the conflicts between cigarette company and consumer. In Capulet, Rose immortalises the House … Continued
Charlotte Rose is a London-based artist known for stylish depictions of cigarette branding. Across her oeuvre, Rose invites us to consider the underhanded tactics used by cigarette companies to manipulate us into buying and consuming dangerous goods. In this piece, Rose layers her lettering and design, creating a piece that mimics the unsettled mind of … Continued
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC Edizioni d’Arte, Rome, with their blindstamp, 64.8 x 78.1 cm. (25½ x 30¾ in.) Helen Frankenthaler was born and raised on Park Avenue in New … Continued
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from the edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Performing Arts/List Print Program, New York, 76.5 x 93.7 cm. (30 1/8 x 36 7/8 in.) Helen Frankenthaler, an integral member of … Continued
Karen Kain is a Canadian ballet dancer who trained at the National Ballet School of Canada. She later became the artistic director at the National Ballet School of Canada. Karen Kain captivated Warhol as she did to audiences around the world who watched her as a principal ballet dancer. This screenprint was based off a … Continued
SAINT APOLLONIA COMPLETE PORTFOLIO AS PART OF ANDY WARHOL’S LARGER BODY OF WORK The Saint Apollonia full suite was printed in 1986 by Rupert Jasen Smith, New York. Part of a portfolio of four, Warhol’s Saint Apollonia are screenprints on Essex Offset Kind Finish paper. Included in this suite are: FS II.330 to FS II.333. … Continued
Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New York, 95.3 x 76.8 cm. (37 1/2 x 30 1/4 in.) Helen Frankenthaler was an integral member of the second wave of Abstract Expressionists … Continued
The below soup can prints are from Warhol’s famous portfolio titled Campbell’s Soup I (1968) and Campbell’s Soup II (1969). It features twenty different images of soup cans. Warhol became famous for depicting everyday objects in his art, due in large part to his 1962 show at the famed Ferus Gallery in Los Angeles, where he introduced the first Campbell’s Soup paintings. This was … Continued
SELF-PORTRAIT 16 Self-Portrait 16 is part of a series of self-portraits based on the same photograph done by Rudolph Burkhardt. In these self-portraits, Warhol tried to minimize his human qualities while maintaining strong likeness of himself in order to still be recognized as Warhol. This particular print is done with black ink printed on silver … Continued
The Sunset series was produced in 1972 on smooth wove paper. This series is an extreme example of the concept of color serialization. The screen print was produced at an unheard of 472 unique color variations with the use of only three screens. The sunset series is considered to be one of Warhol’s more expressive … Continued
TEN PORTRAITS OF JEWS OF THE TWENTIETH CENTURY (TRIAL PROOF) AS PART OF ANDY WARHOL’S LARGER BODY OF WORK Warhol became fascinated with a group of influential Jewish figures – a pantheon of great thinkers, politicians, performers, musicians and writers including French actress Sarah Bernhardt (1844-1923); the first Jewish judge of the United States Supreme … Continued
COMMITTEE 2000 This print is an example of Warhol’s modern take on the traditional “still life” painting, in which ordinary objects are depicted in order to display an artist’s virtuoso. The brilliant blue, purple and vibrant hot pink coloring of the piece established an extraordinary composition. The highly saturated colors are minimal in this particular … Continued
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x 81.3 cm, (42 x 32 in.) Perhaps one of the most influential female Abstract Expressionists, Helen Frankenthaler made the colour staining process … Continued
Knowledge H14-8 from The Secrets By Damien Hirst Laminated giclée print on aluminium composite panel. 120 x 93 cm. Edition of 413. The Secrets series. Mint condition as issued, in the original packaging. The Secrets by Damien Hirst is a series of eight unique prints which depict thriving, flourishing gardens after works from Damien Hirst’s latest series … Continued
