Wisdom H14-4 from The Secrets By Damien Hirst Laminated giclée print on aluminium composite panel. 120 x 93 cm. Edition of 319. The Secrets series. Mint condition as issued, in the original packaging. The Secrets by Damien Hirst is a series of eight unique prints which depict thriving, flourishing gardens after works from Damien Hirst’s latest series … Continued
Samuel has been created especially for Magnus Gjoen’s 2022 solo show at Enter Gallery, ‘The History of the Future’ – an exploration of life, love, death and art. Seemingly drawn directly from an archaeological site, Samuel is covered in camouflage, alluding to the need to protect and hide these treasures to preserve them for future … Continued
Magnus Gjoen’s evocative work treads a fascinating line between humour and horror. By offering a modern take on old masterpieces, and transforming items typically associated with violence into delicate works of art, Gjoen challenges our preconceived notions of beauty. His work combines Street Art, Pop Art and Fine Art sensibilities, and highlights humanity’s capacity for … Continued
I Saw The Sky Come Down To Meet You is a limited edition giclée print hand-finished with Gold Leaf by contemporary artist Magnus Gjoen. Based on the ceiling, “The Apotheosis of Hercules’ by François Lemoyne in the King’s apartments in Versailles, “I saw the sky come down to meet you’ brings the gods down to … Continued
I Saw The Sky Come Down To Meet You is a limited edition giclée print with varnish by contemporary artist Magnus Gjoen. Based on the ceiling, “The Apotheosis of Hercules’ by François Lemoyne in the King’s apartments in Versailles, “I saw the sky come down to meet you’ brings the gods down to a human height … Continued
Magnus Gjoen’s evocative work treads a fascinating line between humour and horror. By offering a modern take on old masterpieces, and transforming items typically associated with violence into delicate works of art, Gjoen challenges our preconceived notions of beauty. His work combines Street Art, Pop Art and Fine Art sensibilities, and highlights humanity’s capacity for … Continued
Minton Scarab is a limited edition giclee print by artist Magnus Gjoen. From an edition of 80, printed on 308gsm cotton rag paper. the piece is signed, numbered and dated by the artist. Size (cm): 50 x 50
There Could Be A War But I’m Not Going Down is a limited edition giclee print by contemporary artist Magnus Gjoen. From a small edition of 25, printed onto Pearl Paper, the piece is signed and numbered by the artist. Size (cm):
Dancer has been created especially for Magnus Gjoen’s 2022 solo show at Enter Gallery, ‘The History of the Future’ – an exploration of life, love, death and art. Seemingly drawn directly from an archaeological site, Dancer is covered in camouflage, alluding to the need to protect and hide these treasures to preserve them for future … Continued
Map of the West Indies, 1790. Born Alone, Die Alone. is an edition derived from the series “Crocodile Company: The War of the Dancing Machetes,” set in 1789 in the Caribbean. The artist loosely based this series on the actual “War of Knives” that was fought as a precursor to Haitian independence. Limited to an edition … Continued
Heath Ledger By Johnny Depp 2022 saw Johnny Depp’s debut collection Friends & Heroes sell out almost immediately across the world. The collection focused on people he has known well, and who have inspired him as a person, including Elizabeth Taylor, Bob Dylan, Al Pacino, and Keith Richards. Now, in 2023, we see the release of … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered 39/50 from the edition of 50, published by Maeght Editeur, Paris, image: 95.9 x 61.6 cm. (37 ¾ x 24 ¼ in.), sheet: 115.6 x 75.6 cm. (45 ½ x 29 ¾ in.) At first glance, this artwork can be seen simply as a … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94.9 x 61.9 cm. (37 3/8 x 24 3/8 in.), sheet: 115.9 x 75.3 cm. (45 5/8 29 5/8 in.) La Joie portrays the scene of a joyful celebration of love in Paris, … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 59.7 cm. (37 x 23 ½ in.), sheet: 116.2 x 74.9 cm. (45 ¾ x 29 ½ in.) Chagall met his first wife and childhood love, Bella Rosenfeld in 1910, before … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 60 x 94.3 cm. (23 5/8 x 37 1/8 in.), sheet: 75.6 x 116.8 cm. (29 ¾ x 46 in.) In its title, this work brings the viewer back to the artist’s earlier … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 59.7 x 94.9 cm. (23 ½ x 37 3/8 in.), sheet: 75.6 x 116.8 cm. (29 ¾ x 46 in.) In this vibrant and energetic depiction of a modern circus scene, we can … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in.), sheet: 116.8 x 75.6 cm. (46 x 29 ¾ in.) This piece comprises some of Chagall’s more well-known and loved compositional elements. Taking up … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 95.3 x 60.4 cm. (37 ½ x 23 ¾ in.), sheet: 116.8 x 75.8 cm. (46 x 29 ¾ in.) In this piece, Chagall depicts a whimsical circus scene in which clowns, acrobats, … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 92.1 x 60.3 cm. (36 ¼ x 23 ¾ in.), sheet: 115.6 x 74.9 cm. (45 ½ x 29 ½ in.) This piece comprises some of Chagall’s more well-known and loved compositional elements. … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in.), sheet: 115.6 x 75.6 cm. (45 ½ x 29 ¾ in.) ‘Les Deux Rives’ depicts a dream-like Parisian landscape. From the height and centrality … Continued
Intaglio, Wood Block, Archival Pigment
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris; image: 95.3 x 61 cm. (37 ½ x 24 in.); sheet: 116.5 x 75.3 cm. (45 7/8 x 29 5/8 in.) ‘Dans le Ciel de l’Opera’ depicts multiple figures floating mid-air above the Palais … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in.), sheet: 115.6 x 75.6 cm. (45 ½ x 29 ¾ in.) The title of this work translates to ‘the couple at twilight’ and depicts … Continued
Lithograph, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in), sheet: 118.8 x 75.6 cm. (46 ¾ x 29 ¾ in.) Created towards the end of his life, this dynamic image comprises some of Chagall’s more … Continued
Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 59.7 cm. (37 x 23 ½ in.), sheet: 116.2 x 74.9 cm. (45 ¾ x 29 ½ in.) Chagall met his first wife and childhood love, Bella Rosenfeld in 1910, before … Continued
I Saw The Sky Come Down To Meet You is a limited edition giclée print with varnish by contemporary artist Magnus Gjoen. Based on the ceiling, “The Apotheosis of Hercules’ by François Lemoyne in the King’s apartments in Versailles, “I saw the sky come down to meet you’ brings the gods down to a human height … Continued
Gjoen is a contemporary artist who urges us to question our ideas surrounding what constitutes beauty by offering modern takes on old masterpieces. Do Not Go Lightly into That Good Night is Gjoen’s play on Dylan Thomas’s classic poem, which encourages us to see life as precious, and to fight for it with everything we … Continued
Flying Copper is one of Banksy’s earliest and most iconic artworks. The image was created for Turf War (2003), the street artist’s first show, appearing as a series of cardboard cut-outs, hanging from the ceiling surrounding Banksy’s punk portrait of Winston Churchill. Unbelievably, this piece was once sold out of Banksy’s agent’s car boot, with a price tag … Continued
Welcome to Hell is one of a trilogy of prints in Banksy’s 2004 Placard Rat series. The series was inspired by ‘Get Out While You Can’, a book by George Marshall, which offered suggestions on how to find a way out of ‘salary slavery’ and ‘the rat race’. Back in the early 2000s, Banksy painted multiple iterations of … Continued
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY, 133.5 x 97.8 cm. (52 1/2 x 38 1/2 in.) Yellow journal was commissioned by the Howard Metzenbaum for Senate Committee to benefit his re-election to the United States … Continued
Oil, acrylic and spray paint on canvas Unique Signed and dated on the back Mint. Sold in the original packaging
Screenprint, aquatint, etching, relief, lithograph, engraving and mezzotint in colours, 1995, on white TGL handmade paper, signed and dated in pencil, numbered from the edition of 50 (there were also 16 artist’s proofs), published by Tyler Graphics, Ltd., New York, 50.8 x 132.1 cm. (20 x 52 in.) Over a period of four years, Stella … Continued
Photograph by Wolfgang Volz
Foil block print on 300gsm Arches 88 archival paper Edition of 15 76 x 56 cm (30 x 22 in) Signed and numbered on the front Condition upon request
Silkscreen edition print with Diamond Dust on paper
