1977
Edition Size: 500
Image Size: 74 x 55 cm
Sheet Size: 77 x 56 cm
Signed
Condition: Excellent
Lithograph
Signed, numbered and dated
On Rives paper
UV conservation frame in a white hand painted ash frame with 3mm HC acrylic
Price on Application
James Alan Davie (born September 28, 1920) is a Scottish painter and musician.
He was born in Grangemouth and studied at Edinburgh College of Art in the late 1930s. An early exhibition of his work came through the Society of Scottish Artists. He also has a great love for Cornwall. After the Second World War, Davie played tenor saxophone in the highly-regarded Tommy Sampson Orchestra, which was based in Edinburgh but broadcast and toured in Europe. Davie travelled widely and in Venice became influenced by other painters of the period, such as Paul Klee, Jackson Pollock and Joan Miró, as well as by a wide range of cultural symbols. In particular, his painting style owes much to his affinity with Zen. Having read Eugen Herrigel’s book Zen in the Art of Archery (1953) he has assimilated the spontaneity which Zen emphasises. Declaring that the spiritual path is incompatible with planning ahead, he has attempted to paint as automatically as possible, which is intended to bring forth elements of his unconscious. In this, he shares a vision with surrealist painters such as Miro, and he has also been fascinated by the work of seminal psychoanalyst Carl Jung.
Like Pollock, many of Davie’s works have been executed by standing above the painting, which is laid on the ground. He adds layers of paint until sometimes the original painting has been covered over many times. However, despite the speed at which he works (he has usually had several paintings on the go at once), he is adamant that his images are not pure abstraction, but all have significance as symbols.
