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Inkwells Silver by Eduardo Paolozzi

Petersburg Press

Silkscreen

1962

Edition Size: 10

Sheet Size: 18 x 14.5 inches

Signed

Condition: Good

Details — Click to read

This whimsical screenprint by Eduardo Paolozzi pictures giant inkwells being carried on old style train cars. The composition looks like a printed image blown up to reveal the halftone dots and rough edges of lines.

Scottish artist of Italian descent Eduardo Paolozzi studied in London and then worked in Paris where he mingled with the original Surrealists: artists like Alberto Giacometti, Jean Arp, Constantin Brâncuși, Georges Braque and Fernand Léger. He was one of the founders of the British Independent Group in 1952, the precursor to the Pop Art movement.

Professor Michael Fourman at The University of Edinburgh, wrote: “Paolozzi was intrigued by genius and creativity. His heroes, Leonardo, Einstein, Wittgenstein, Freud, and Turing sought to explore the inner workings of the mind, the body and the world.” Einstein was a sort of muse to Paolozzi, serving as the subject of numerous portraits, as well as works such as this one which were inspired by his writings.

Paolozzi’s work and its reach were formidable: it ranges from screenprints and portfolios, to mosaic murals in the London subway, to album art for Paul McCartney, to a range of public sculptures and even commercial collaborations with high-end German porcelain studio Rosenthal.

Inkwells Silver 1962
Screenprint on Esparto Cartridge paper
18 x 14.5 in / 45 x 36 cm
Edition 10: this copy a signed proof
Signed and dated ‘61 in pencil lower right, annotated EA lower left (referring to the publisher Editions Alecto)
Framed: wood frame measures 22 x 26 x 1.75 in.
A few minor scratches in the plexiglass, and a small scratch in the frame. A few pinhead-sized discolorations on the mat, upper left and lower left.

$2,330.00

The Artist

Eduardo Paolozzi

Considered to be one of the pioneers in pop art, Eduardo Paolozzi, sculptor and painter, was born in Scotland in 1924. In 1943 studied at the Edinburgh College of Art, then St Martin’s School of Art in 1944 and then finally at the Slade School of Fine Art from 1944 to 1947. After studying between 1947 -1949 he travelled over to Paris to work; these couple of years marked an important impression on his life. He met many of the original Surrealists in Paris during that time and their impact can be seen in the sculptures Paolozzi created during the 1950s. After Paris he moved back to London and filled his workshop with an array of unusual objects found, discarded toys, any material he thought would work well in sculpting.

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