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The Dartmouth Portraits aer reworked plates from an earlier drypoint self portrait series done in 1971. For the second set, Dine used the same plates, the same theme and, in most cases, a similar image size and position. The 1971 Self Portrait plates were effaced with an oscillating sander. Shadows of the earlier image remained, over which Dine drew and etched another self portrait on each of the plates. Adjacent impressions on each page of the catalogue were pulled from the same plate.
Jim Dine, Dartmouth Portraits 1975
A suite of nine etchings, each from one 20.3 x 15.2 cm / 8 x 6 inch copper plate, the same plates as Self Portraits
(1971), with aquatint, hard ground, and soft ground added. Printed in black on sheet of 52.0 x 39.4 cm / 20 1⁄2 ×15 1⁄2 inch) Buff Japanese Etching paper. Edition 25 with 7 Artist’s Proofs
Published by Petersburg Press, New York; proofed by Mitchell Friedman and printed by Alan Uglow and Winston Roeth. Signed and dated, below impression, center