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  • Jumps Out At You, Yes? by Jim Dine

Jumps Out At You, Yes? by Jim Dine

Christopher-Clark Fine Art

Etching

1993

Edition Size: 75

Image Size: 12 3/8 x 21 1/4 inches

Sheet Size: 20 3/4 x 27 7/8 inches

Signed

Condition: Excellent

Details — Click to read

Original etching and soft-ground etching printed in black ink on Arches Cover Buff wove paper, with hand-coloring added in several acrylic colors.  Hand-signed and dated in pencil in the margin lower left Jim Dine 1993.

A superb impression of the definitive state, from the edition of 75, numbered in pencil in the margin. Published at the Spring Street Workshop, New York: printed there by Bill Hall and Julia D’Amario.  Catalog: Carpenter 73

Image size:  12 3/8 x 21 1/4 inches / Sheet Size: 20 3/4 x 27 7/8 inches / Framed size:  22 3/4 x 29 3/4 inches

In excellent condition, with bright, fresh colors, printed on a full sheet.

Literature regarding this artwork: Print Collector’s Newsletter 25, no. I, March-April 1994, p. 25.

“The robes have become much more mysterious than they used to be, and that’s because I understand them more. What’s funny is that I don’t own a bathrobe. I don’t wear one. I don’t walk around in one. I never see bathrobes around me, nor do I see people wearing them. I don’t have a bathrobe to paint from. What I use is what I’ve used from the very beginning—a newspaper ad which I clipped out of the New York Times back in 1963. The ad shows a robe with the man airbrushed out of it. Well, it somehow looked like me, and I thought I’d make that a symbol for me. Those early robes were just about autobiography through objects.”
-Jim Dine

$19,500.00

The Artist

Jim Dine

Jim Dine is an American pop artist who was born in Ohio in 1935 and was known for his painting, drawing, sculpting and printmaking. He is considered to be a part of the Neo-Dada movement, a style that opposed the emotional expressions of Abstract Impressionism and instead, denies aesthetics by using mundane subjects and focusing on performance. Dine was first recognised by the art industry when he displayed ‘Happenings’ a type of performance art in collaboration with the musician John Cage. In 1959, it was exhibited over six days in an environment or installation in New York City’s Reuben Gallery, where features of light, sound, projects and viewer participation all played a part in the display.

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