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Day’s End by Martin Lewis

Day’s End by Martin Lewis

Catherine Burns Fine Art

Drypoint

1937

Edition Size: 34

Sheet Size: 9 ⅝ x 13 ½ inches

Signed

Condition: Excellent

Details — Click to read

McCarron 120 iii/iii. Drypoint on wove paper, watermarked WHATMAN 1937 and ENGLAND. Edition of 34 plus 8 trial proofs, according to McCarron. Rare. Signed in pencil and inscribed “For Patricia and Martin D~ Printed especially for them by ‘le ancien’, December 1947” (Martin D and Patricia are Martin Lewis’ son and daughter-in-law. The artist, the elder of the two Martins, refers to himself as Le Ancien.)

The print was awarded an honorable mention by the Philadelphia Print Cub in 1938. It was included in the 1943 traveling exhibition, ‘Artists for Victory’.

McCarron writes, “The sign on the smokestack at right reads ‘Danbury and Bethel Fur Co. Inc.’ Lewis depicted factory workers shuffling homeward at the end of the day. The subject may be seen as a contrasting companion piece to Quarter of Nine, Saturday’s Children (No. 78) of 1929, where Lewis also used a single-point perspective to show stylishly dressed New York City workers walking briskly on their way to work in the early morning sunshine.” (page 208).

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The Artist

Martin Lewis

Martin Lewis was born in Australia and came to America in 1900. He worked for a time in San Francisco painting stage decorations and came to New York in 1909. He was working first as an illustrator and made his first etching in 1915. He traveled to Japan where he lived and worked for a couple of years. He then returned to New York and his printmaking really came into its own. He was a technical magician with a great understanding of composition and a remarkable ability to draw on the plate. From 1944-1952 Lewis taught a graphic arts course at the Art Students League. He was friends with Edward Hopper and Hopper sought out his advice on making prints. According to the McCarron raisonné , Lewis editioned 147 prints between 1915 and 1953.

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