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Rainy Day, Queens by Martin Lewis

Rainy Day, Queens by Martin Lewis

Harris Schrank Fine Prints (IFPDA)

Drypoint

1931

Edition Size: 70

Sheet Size: 13 1/2 x 15 7/8 inches

Reference: McCarron 94, only state

Signed

Condition: Excellent

Details — Click to read

Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition of about 70. In very good condition, 10 5/8 x 11 7/8, the sheet 13 1/2 x 15 7/8 inches.

Provenance:

Estate of Edward G Kennedy (?) (with stamped initials EGK verso, cf. Lugt 857)

A fine rich impression of this iconic image, printed in black ink on an ivory laid paper.

Lewis described this location as “Skillman Ave. Queens”; it is probably at the intersection of Skillman Avenue and 49th Street.

Martin Lewis was interested in Japanese art early in his career, and in 1920 visited Japan, where he stayed for nearly two years. Rainy Day, Queens owes much to this influence: the careful placement of compositional elements, for example, and the atmospheric effects of rain, frequently found in Japanese prints and in Lewis’s Japan-based prints (e.g., Fishing Boats in the Rain, M. 41, and Showers on the Bay, M. 46).

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The Artist

Martin Lewis

Martin Lewis was born in Australia and came to America in 1900. He worked for a time in San Francisco painting stage decorations and came to New York in 1909. He was working first as an illustrator and made his first etching in 1915. He traveled to Japan where he lived and worked for a couple of years. He then returned to New York and his printmaking really came into its own. He was a technical magician with a great understanding of composition and a remarkable ability to draw on the plate. From 1944-1952 Lewis taught a graphic arts course at the Art Students League. He was friends with Edward Hopper and Hopper sought out his advice on making prints. According to the McCarron raisonné , Lewis editioned 147 prints between 1915 and 1953.

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