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Monotype on white Arches BFK Rives paper. Signed by the artist, annotated “IE”, and dated 1988 lower center in pencil.
In this black and white monotype, Zalopany’s characteristic large-scale realism gives way to a gestural, abstracted style. Painterly swaths of black underlie fluid pools of ink, defining flowers, a vase, and a rectangular form on the side of a table. Zalopany effaces the pigment to delineate edges and enhance the sweeping quality of this composition.