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Printer’s Device XVI Century by Natalie d'Arbeloff

Printer’s Device XVI Century by Natalie d'Arbeloff

Pomegranate Fine Art

Etching

1965

Edition Size: 50

Image Size: 28.4 x 36 cm

Sheet Size: 39 x 46 cm

Signed

Condition: Excellent

Details — Click to read

Natalie took up etching in 1964, soon after moving to London from Rome. The Central School of Art encouraged artists to embrace the full range of skills and techniques involved in printmaking. She embraced fully the opportunities of using printmaking as yet another creative medium of expression, exploring the possibilities and viewing the actual processes of printmaking as an essential element of the creative process. Natalie also taught printmaking at the City Lit and other adult education institutions. She bought her own printing press in the 1960’s and used it constantly for single prints, book works and print editions. This particular etching is from the Medieval City series. One of the consequences of printing her own works is that they all tend to be very small editions. This is the last remaining print of this particular image, sourced directly from Natalie herself. Printed on a deliciously delicate paper…and celebrating the art of printing itself…

£165.00

The Artist

Natalie d'Arbeloff

Natalie d’Arbeloff was born in Paris of a French mother and Russian father. She has lived in London since the mid-1960s. Her art education was in Paris, New York, Mexico and London. Solo exhibitions include: Travers Gallery, London 1970. Belgravia Gallery, London 1973. Museum of Fine Arts, Colorado Springs 1980. Bertram Rota, London 1985. Victoria & Albert Museum National Art Library 1990.Rijksmuseum Meermanno-Westreenianum, The Hague 1992. Museo del Barro, Asuncion, Paraguay 2002, and numerous group exhibitions internationally.

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