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Reginald Marsh (1898-1954), Loco-Erie Watering, 1929, etching, signed in pencil lower right, and numbered (16) lower left. Reference: Sasowsky 85, fourth state (of 4). On Whatman paper. In very good condition (apart from two hinging stains verso showing through top margin just into plate mark, some printers ink and soiling in margins), with margins, 7 x 9 7/8, the sheet 8 1/4 x 11 7/8 inches. Archival matting (acid free hinging and board, window mat, glassine cover).
A fine clear black impression.
Provenance: Kennedy Galleries, New York, and with their label and annotations still on mat.
Marsh (obviously) printed this personally, and this paper is specified in Sasowsky for his numbered impressions 8-18 of the definitive fourth state. He probably did not print more than about 20 impressions.
In Thomas Craven’s Treasury of American Prints (1939), Marsh is quoted as saying in response to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print. I usually print fifteen or twenty and sell one or two in the next five years – so why limit the edition?” (That was in 1939; today of course Marsh’s etchings are treasured as icons of American printmaking in the ’20’s and 30’s.)
