Details — Click to read
UNHURT (2015)
Portfolio of 5 laser cut steel plate oil prints
Laid paper 300 gramm
69 x 99 cm
Edition: 15 + 1 a.p.
Each hand signed, numbered and dated
Price: EUR 20,000.00
2015
Edition Size: 15
Image Size: 99 x 69 cm
Sheet Size: 99 x 69 cm
Signed
Condition: Pristine
UNHURT (2015)
Portfolio of 5 laser cut steel plate oil prints
Laid paper 300 gramm
69 x 99 cm
Edition: 15 + 1 a.p.
Each hand signed, numbered and dated
Price: EUR 20,000.00
Price on Application
Ulay is the pseudonym of Frank Uwe Laysiepen. He was born in 1943 in Solingen, Germany. Ulay was formally trained as a photographer, and between 1968 and 1971, he worked extensively as a consultant for Polaroid. In the early period of his artistic activity (1968-1976) he undertook a thematic search for understandings of the notions of identity and the body on both the personal and communal levels, mainly through series of Polaroid photographs, aphorisms and intimate performances. At that time, Ulay’s photographic approach was becoming increasingly performative and resulted in performative photography (Fototot, 1976). Later, in the late stage of his early work, performative tendencies within the medium of photography were transformed completely into the medium of performance and actions (There Is a Criminal Touch to Art, 1976). From 1976 to 1988, he collaborated with Marina Abramović on numerous performances; their work focused on questioning perceived masculine and feminine traits and pushing the physical limits of the body (Relation Works). After the break with Marina, Ulay focused on photography, addressing the position of the marginalised individual in contemporary society and re-examining the problem of nationalism and its symbols (Berlin Afterimages, 1994-1995). Nevertheless, although he was working primarily in photography, he remained connected to the question of the ‘performative’, which resulted in his constant ‘provocation’ of audiences through the realisation of numerous performances, workshops and lecture-performances. In recent years, Ulay is mostly engaged in projects and artistic initiatives that raise awareness, enhance understanding and appreciation of, and respect for, water (Earth Water Catalogue, 2012). Ulay’s work, as well as his collaborative work with Marina Abramović, is featured in many collections of major art institutions around the world such as: Stedejlik Museum Amsterdam; Centre Pompidou Paris; Museum of Modern Art New York…
After four decades of living and working in Amsterdam, several long-term artistic projects in India, Australia and China, and a professorship of Performance and New Media Art at the Staatliche Hochschule für Gestaltung, Karlsruhe in Germany, Ulay currently lives and works in Amsterdam and Ljubljana, Slovenia.