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  • Madeleine (Hand Finished Grey Copper Leaf Edition) by Fin DAC

Madeleine (Hand Finished Grey Copper Leaf Edition) by Fin DAC

GallArt.com

Hand-finished screenprint

2024

Edition Size: 25

Image Size: 34.6 x 22.5 inches

Sheet Size: 34.6 x 22.5 inches

Signed

Condition: Excellent

Details — Click to read

Hand finished 24 color screen print on 330 gsm somerset satin paper with copper leaf mask. Hand signed lower right by Fin DAC. Hand numbered 25/25 lower left. Artwork size 34.6 x 22.5 inches. Frame size approx 40 x 28 inches.

Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

About the Artist: Originally from Cork in Ireland, Fin Dac (or Finbarr Dac) has lived in London all his life. Alongside his experience as art director of a SoHo gallery, he has been involved in the development of urban art. His influences range from dark graphic novels to the works of Francis Bacon and Aubrey Beardsley. Active since 2008, this self-taught, anti-conformist artist paints on walls all over the world.

His work has no political message: it focuses solely on beauty and aesthetics. His attention to detail sets him apart from other urban artists. Through his ‘Geishas’, Fin Dac explores themes linked to the emancipation and empowerment of women, while revealing their sensuality and sensitivity. The artist asserts that women are both powerful and vulnerable, aesthetic and intellectual, physically capable and endowed with deep emotional reserves.

Most of Fin Dac’s work is created using stencils, combined with a unique painting technique that leaves splashes at eye level. This colourful ‘mask’ has become a veritable artistic signature.

$2,625.00

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The Artist

Fin DAC

Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed ‘Urban Aesthetics’. The artist explores themes related to female emancipation and empowerment through his work, readjusting the male gaze and disrupting colonialist attitudes, particularly surrounding the Eastern experience.

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