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  • Study for a Monument in the Heroic/Erotic/Academic/Comic Style by Claes Oldenburg

Study for a Monument in the Heroic/Erotic/Academic/Comic Style by Claes Oldenburg

Petersburg Press

Color Etching and Aquatint

1975

Edition Size: 60

Image Size: 25½ × 32 ½ inches

Sheet Size: 37¾ x 41¾ inches

Reference: Printed Stuff: Prints, Posters and Ephemera by Claes Oldenburg A Catalogue Raisonné 1958-1996 Hudson Hills Press in association with Madison Art Center Wisconsin, New York, 1997. Illustrated no. 122

Signed

Condition: Good

Details — Click to read

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm.
Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank – floating in London’s river Thames, regulating the flow of water usually controlled by the tide, and blocking maritime traffic.

Study for a Monument in the Heroic/Erotic/Academic/Comic Style, 1975.
Etching in one color on white, thick, lightly textured (2) Wookey Hole hand-made paper
Plate: 25½ × 32 ½ in. / 64.8 x 82.9 cm Sheet: 37¾ x 41¾ in. / 94.5 x 106 cm
Edition of 60 with 12 Artist’s Proofs (2 copies in each of all six colors. Includes 10 prints in each of 6 different ink colors: Indigo blue, Mauve, Burnt sienna, Astral blue, Yellow-ochre, Vermilion) Signed in graphite, lower right, dated in pencil, lower right, numbered in graphite, lower left; copyright blind stamp, lower right. Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

Your purchase will include a copy in the color of your choosing. See photographs for the six options.

Condition: Some wear on paper edges, various small creases, and waviness/aging of paper tone commensurate with age, as photographed

Catalogue reference: Printed Stuff: Prints, Posters and Ephemera by Claes Oldenburg A Catalogue Raisonné 1958-1996 Hudson Hills Press in association with Madison Art Center Wisconsin, New York, 1997. Illustrated no. 122

Literature: Boorsch. Suzanne. “New Editions: Claes Oldenburg.” Art News 74. no. 7 (September 1975). P. 51; Frackman. Noel. “Review: Oldenburg at Petersburg Press.”
Arts Magazine 50, no. 3 (November 1975), pp. 13-14; Drawings—Stedelijk, pp. 49; Drawings—Pompidou, p. 49

Exhibition History: Oldenburg: New Editions (1975)

$2,250.00

The Artist

Claes Oldenburg

A very public artist, Claes Oldenburg is the artist behind a number of high profile public sculptures seen in cities in the United States. His works are typically highly creative and include the clothespin near City Hall in Philadelphia, a giant rubber stamp in Cleveland, and a giant tube of lipstick on caterpillar tracks at Yale University. The Swedish-American artist studied art history and literature at Yale University between 1946 to 1950 and was a member of the Pop Art movement in the 1960s. A prize winning artist, Oldenburg has had his work displayed at the Whitney, the Guggenheim, the Metropolitan Museum of Art, and the National Gallery.

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