Annie Lapin’s paintings reside in a world of multiplicities; digital histories and analog mark making come together to form landscapes that abide neither to the rules of the virtual nor to the physical. Initiating each painting with generous pours of paint and liquid graphite, Lapin’s abstract marks become the armature around which pictorial space is built. Punched with trompe l’oeil forms, photographic blur, and references to the sublime imagery of Western landscape painting and photography, the polyvalent scenes conjure a sense of mystery and fervor.